Thoughts on Bosch

boschJust as they did last year, Amazon is allowing the audience to decide which of several new pilots will go to series.  But unlike last year, this time around there were two pilots that immediately caught my eye and I added to my “to watch” list sooner rather than later.

The first is Chris Carter’s new series The After and the other Bosch, which is based on the best-selling mystery series by Michael Connelly.

I had some free time this afternoon and enough time to watch one of the two series.  After much debating, I decided to go with Bosch first.

First of all, I will admit that I’m a big fan of Connelly”s mysteries and the Bosch novels in particular.  So, I had some fairly high hopes and expectations heading into the series.

And while it did take me a few minutes to reconcile how the various actors involved in the series differed from my own mental casting (for some reason, my mental image of Bosch is closer to Ron Pearlman), overall I like what I’ve seen so far.

The series has a couple of things going for it right up front.  First is that Connelly is involved as a producer — he even co-wrote the pilot episode.  In addition, some of the creative team in front of and behind the camera gave us The Wire, which I’ve heard nothing but great things about and is on my bucket list of TV shows to watch when time permits.

As the pilot begins, Bosch is stuck in court, facing charges in a civil trial related to a perp that he took out two years before.   While Bosch was exonerated by Los Angeles police department, he’s still facing civil penalties from the family of the man who was shot.   Bosch is going a bit stir crazy being stuck in court all day and pulled off regular duty rotation — so much so that he trades Laker tickets to a couple of guys on the force to cover their weekend shift.

While doing this, Bosch uncovers a case of a child’s bones buried in the hills.   Bosch manipulates the system and his partner, Jerry Edgar, to stay on the case while he’s in court facing trial.

As an introduction to the universe of all things Harry Bosch, the pilot works extremely well. And while I’ll readily admit that Titus Weliver wasn’t the actor I had mentally cast as Bosch, it only took a few minutes for me to get past this and to really like Weliver in the role.  The series has softened Bosch a bit — in the books, he’s a bit of jerk to people — so that we’ll at least root for him as a hero, or possibly an anti-hero.

I’ve read that should the pilot get ordered to series, it will follow Connelly’s “City of Bones” as the backbone of the season.  Interestingly, I believe this is next in line of the Bosch novels I haven’t ready yet and it’s sitting on my to-be-read pile.  It may have to make a move up the pile a bit since the mystery intrigued me enough that I wanted to know more once the fifty or so minutes has finished streaming to my set.

As for the rest of Bosch’s world, it’s all there — from his love of jazz to his taste in food and liquor.  There are also several familiar faces from the novels that crop up.

So far, I’m sold.  If Amazon decides to move forward on this one, I’ll watch.  And given that Bosch has a good sized catalog of books, this is a show that has ample material for a long and fascinating run.

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