I don’t know what Arrow or Marvel’s Agents of SHIELD have up their sleeve, but it’s going to be VERY hard for them to top The Flash‘s mid-season finale.
“The Man in the Yellow Suit” hit just about every button of what has made The Flash my favorite new show of the season. And I couldn’t help but thinking as I watched the hour unfold that whoever is in charge of the DC movie empire might want to call up the writers from The Flash for some pointers on how to do a DC superhero movie right. Quite frankly, this single hour of The Flash was far more entertaining and compelling that the last couple of DC related superhero movies I’ve seen (really much of anything outside the Nolan-verse Batman films) — especially Green Lantern and Man of Steel. I’ll also have to admit it makes me less enthusiastic to see the big-screen version of The Flash simply because I’m loving what this show is doing with the character and universe here.
Call me a fan-boy if you want, but I love this show.
And “The Man in the Yellow Suit” delivered on just about every level, answering just enough questions while raising a few more. (more…)
The first two installments of The Flash were focused on establishing Barry and his newly found super powers. With the third episode, the series expands the focus a bit and begins to give us some development of the other characters who are part of the Flash’s crusade against meta-humans.
In this case, we get a bit of expansion of Caitlin’s character, including a well done use of flashbacks to the night that everything went wrong at Star Labs. As displeased as I was last week with the flashbacks, feeling them to be the weakest part of another wise solid outing of the show, this week I felt like the flashbacks were better connected to the character and storyline. I also like the concept that the flashbacks don’t necessarily have to center on Barry’s past each week, but can instead be used like the ones on Lost were — to give us some details and insights into the character.
In this case, it’s Caitlin and her fiance Ronnie, who wasn’t supposed to be at the start-up of the particle accelerator the night it went up. An engineer she met working on the project, Ronnie throws himself into the fray when things start to go sideways and ends up apparently getting killed in the process. I say apparently here because given what we’ve seen about Wells and his ulterior agenda (more on that later) and that we never see a body for Ronnie, I fully expect him to be back at some point, quite possibly as the biggest meta-human the Flash has faced up to that point. In fact, I can fully see him returning for the mid-season or possibly season-ending cliffhanger to the show. (more…)
When I saw the preview for “The Caretaker,” my first thought was, “That looks an awful lot like ‘School Reunion. Watching the episode, that feeling didn’t necessarily go away. And that may be part of the point.
Each episode this season has seemed echoed a previous installment from the first seven or so seasons of modern Doctor Who. It’s almost as if Steven Moffat want to show us what the new Doctor is like (and attempt to answer the question of whether or not he’s a good man) by putting the character into situations similar to those we’ve previously seen. Yes, this time around he’s masquerading as the caretaker of a school instead of a teacher, but the premise of battling an alien menace in the familiar surroundings of a school is similar enough.
But where “School Reunion” was about the conflict between the current companion and the previous companion, this story centered on the tug of war taking place in Clara’s life as she tries to keep the two men in her life unaware of each’s other presence. The interesting thing is that no matter how hard Clara tries to lead this double life (eating two dinners, arriving in the cab soaking wet with seaweed in her hair), she isn’t necessarily hiding anything from either party involved. In both cases, she’s making Danny and the Doctor more suspicious about what’s going on and that much more eager to solve the mystery. (more…)
With “Listen,” I theorized that series eight was deconstructing the character of the Doctor and there’s nothing in “Time Heist” that makes me doubt that theory. But watching the episode and how things unfolded, I couldn’t help but ponder that the episodes this season are about more than just deconstructing the Doctor as the hero of the show, but attempting to answer the question he posed to Clara in “Into the Dalek” (and we saw in the promotional material leading up to the season), “Am I a good man?”
With “Time Heist,” the question seems to be “Does the end justify the means?”
The Doctor and Clara are forced to help two others rob a seemingly impregnable bank. Because the bank employs a life-form known as the Teller that can sense guilt and then consume the mind of the guilty party, their memories are wiped of their motivation and knowledge of the mastermind behind this plot.