Doctor Who: Into the Dalek

intothedalek“Fantastic idea for a movie. Terrible idea for a proctologist.”

“Dalek” was an early classic for the new Doctor Who, ranking among my favorite stories of all-time.  So a story that features callbacks to that classic Christopher Eccleston era story was already going to be right in my wheelhouse.  Add in another superb performance by Peter Capaldi and some interesting bits about just who this new Doctor is and you’ve got another winner for this new era.

I know I’m probably in the minority on fully embracing and loving this one, but then again, I was quick to embrace and love “Victory of the Daleks” at the start of the Matt Smith era.  And while that episode hasn’t held up as well as my initial reaction, I still think it’s a lot better than most fans give it credit for.

“Into the Dalek” finds the Doctor brought in to heal a malfunctioning Dalek — one that has become “good” instead of wanting to exterminate everything it encounters.   Conflicted about what he should do, the Doctor brings Clara onto the scene because she’s a “carer” and does his caring for him.    Not sure if there really can be a “good” Dalek, the Doctor and Clara agree to be miniaturized and head inside the Dalek to fix what’s gone wrong and hopefully find some redemption for the Daleks as well as the Doctor.

In a story that calls to mind not only “Dalek,” but also “The Invisible Enemy,” the Doctor and Clara’s journey inside of a Dalek proves to be a fascinating one, not only because we have to contend with Dalek antibodies but we also get a look around inside the internal portions of the blobs of hate in bonded poly-caribide armor.  Much of the episode centers on just how alien and distant this new Doctor is, including his disdain for soldiers (setting up something when the Doctor and Clara’s new love interest Danny Pink cross paths, I’m sure) and the fact that he doesn’t believe there can be anything good in a Dalek.  In the end, the Doctor and Clara reconnect the memories that made the Dalek “good” and send it back among the Daleks as a changed Dalek — one that exterminates the fleet invading the ship and then convinces the Dalek fleet that all the humans have been exterminated.

The Dalek gets a look inside the Doctor’s mind and proclaims that he would not longer make a good Dalek as we heard during Eccleston’s era but that he is a good Dalek.  His hatred of the Daleks is so all-consuming that he’s become not much better than his mortal foes — the Doctor even references that it was his original visit to Skaro that defines who he is and when he became more than just a name he chose for himself.

It all adds up to some great speeches for Capaldi.  Of course, the episode also includes a lot of scenes that we’ve seen referenced in the trailers including the aforementioned “carer” and the “Am I good man?” question.   It seems as if the question may be one that the entire series is going to have to address and look into.  It may also come into question when and if we find out who Missy is and why she’s choosing certain victims of the Doctor’s influence to bring back.  Interestingly, she’s chosen two people so far that the Doctor doesn’t hold in high regard — the clockwork robot and a solider.  Is she collecting people the Doctor has dismissed to teach him a lesson or to create some kind of force to go up against him later in the season?

After a solid debut in “Deep Breath,” “Into the Dalek” is a nicely crafted hour that works well on just about every level.  I love the new storytelling pace that allows the show time to breath and to allow things to sink in a bit.  I also love the work Capaldi is doing  and the solid scripts he’s getting.   We’re two for two in this new era and this is one Doctor Who fan who is wholly satisfied.

Doctor Who: Deep Breath

doctor_who_deep_breath“Clara, I’m not your boyfriend.”

Looking back on the year leading up to the fiftieth anniversary, I can’t help but wonder if Steven Moffat and BBC America were doing something even more subversive with the Doctor’s Revisited than just introducing new series fans to the classic Doctors.  Could it have been that Moffat knew that he was going to take the series back to its classic roots with the next Doctor and was getting fans ready for it by showing us four-part classic Doctor Who stories that had a moment or two to breath and were paced a bit more leisurely than much of what we’ve seen for the past ten years?

It certainly seems like it could be the case based on “Deep Breath.”

If this is how the rest of series eight is going to be, consider me fully on board for this one.


The Capaldi Era Begins Today


Fifteen years ago, if you’d told me that not only would Doctor Who return to our screens but that it would become a world-wide pop culture phenomenon, I wouldn’t have believed it.

I’d never have believed the series would get not one but TWO cover stories from Entertainment Weekly or that the arrival of a new Doctor would get coverage from USA Today, The New York Times and other media outlets.   Or if you’d told me that you could find a wide assortment of merchandise (a TARDIS spatula?!?) related to the show, I’d probably have thought you were crazy.  And don’t get me started on my complete skepticism that there would be anything to celebrate fifty years of the show but a couple of repackaged classic serials on DVD.

You’ll have to pardon me if I don’t channel my inner third Doctor and bit and become a bit grumpy and cantankerous with new fans who have bemoaned that we’ve “waited so long” for new episodes this time or that they’re only doing twelve installments series instead of 13.

I want to shake them and go — we got to see the fiftieth anniversary in theaters!  After it got a world-wide virtually simultaneous broadcast on the anniversary date!    Monday night, if you want to you can see the feature-length season premiere in theaters, surrounded by fellow fans who may have different preferences from you, but who all enjoy Doctor Who.  Don’t even get me started on the whole announcement of the new Doctor special last year that generated huge audiences and was also simulcast worldwide! 

And while I may disdain the segment of fandom who have decided there is only Doctor and he is David Tennant (mirroring the segment of classic series fandom who only sees merit in the Tom Baker era), I still have to take a step back and take the time to enjoy the moment.   I will admit I’m looking forward to this new era with Peter Capaldi in the title role and seeing what he brings to things.  I’m hoping for an older, crankier Doctor maybe along the lines of Jon Pertwee, William Hartnell and (at times) Tom Baker (watch his first couple of seasons and you see a bit of a crankiness to the fourth Doctor).  

All I can say is — if you’re new to the party, welcome on board.  Please at least consider giving the classic series a chance.  Yes, it’s a bit different from the modern show, but I hope you might see some of what made many of us fall in love with the show.  

This evening, the new era begins.    I’m intrigued, excited and a bit nervous to see how the new Doctor will be.

Pretty much the same way I felt years ago when my PBS station aired the feature-format version of “Time and the Rani” for the first time…..

All Good Things: A Star Trek Podcast, Episode 3: The Best and Worst of TNG

After years of threatening to do it, my good friend Barry and I have started a podcast focusing on Star Trek in its many incarnations and its impact on us. 

The third installment is available for your listening pleasure (it was recorded before we’d finalized a name, which may or may not be referenced in the conversation).  This installment looks at our best and worst episodes of Star Trek: The Next Generation.

Surf over, download, listen, leave comments.  

And you can listen to episode two (Best and Worst of Classic Trek) and episode one (Meet The Hosts) as well. 

Here are some other ways you can connect to us.

Subscribe on iTunes
Official AGT Contact Info



Twitter: @agtpod

The Guys’ Twitter Feeds

Michael: @bigorangemichae

Barry: @lasthome

TV Round-Up: 24, Extant, & The Strain

24: Live Another Day -- 8 p.m. – 11 a.m.

And so another day of 24 comes to a close with the promised time jump taking place in the final few moments of the ninth worst day of Jack Bauer’s life.

I think this season hit a peak a few weeks ago when Margo blew up the hospital, Jack tortured her daughter for information and then eluded a drone attack by switching cars under a bridge.  Since that point, it’s all kind of been downhill a bit with Margo taken out the next week and then true big bad of the season revealed to be the long-though-dead Chang.    As the last three or so hours of the ninth day unfolded, I couldn’t help but feeling that I somehow wanted another hour or two to let things sink in a bit or so that the last hour wouldn’t feel quite so rushed.   And there was a lot of rushing in the final hour of the day — from the death of Audrey to Jack taking out Chang once and for all and once again saving the world just in the nick of time.  I realize that there’s no way Keiffer Sutherland will earn an Emmy nod this time around for the show, but the scene when Jack finds out that Audrey is dead and he realizes he has nothing left to lose was just fantastic.  I don’t recall which season ended with Jack in his car weeping from the events of the days he’d face before, but it was clear that in that moment Jack realized he’d lost everything that mattered.

And then seeing him go absolutely ape-poop crazy on Chang and his men was a nice touch.  Of course, I couldn’t help but wonder if decapitating Chang wouldn’t come back to bite everyone a bit later.   Yes, we averted war for a few hours but then Jack went and killed Chang, so it’s all back on.  If the show ever does come back, it would be interesting to see if and how this decision had an impact on the relationship between the U.S. and China.

Of course, in order to come back, we have to get Jack out of Russian prison.  In some ways, Jack’s surrendering himself to the Russians in exchange for Chloe felt a bit like the beginning of Die Another Day with Bond being taken prisoner and then tortured for an extended period of time during the opening credits.  Whether or not the world will next Jack again remains to be seen, but the final moment when he told Chloe goodbye was another great 24 moment.     If this is where 24 is to finally call it quits, I feel a lot more satisfied than I did at the end of day eight.   But I wouldn’t say no to another limited event like this one with potentially some final redemption and/or freedom for Jack.

Extant: Reentry

The pilot episode of CBS’s Extant doesn’t really tell us anything we hadn’t heard in the commercials.  And yet, I’m still inclined to give the show a chance  for the next couple of weeks to see what and where this is all going to go.

The question of just how Molly is pregnant is an interesting one.  Throw in the conspiracy surrounding the missing 13 hours in orbit (I find it hard to believe that someone doesn’t know she erased the logs of the time in question, but I’m hopeful the show can or will address this in the near future) and you’ve got an interesting enough central mystery to drive things for the next few episodes.  And make no mistake — should this show not give us answers to this question by the time we reach the end of its summer run, there are going to be some seriously irritated fans.

But just as interesting are the parallels to another Stephen Spielberg movie, AI.   The young son as an android and its implications is an intriguing enough one.  This is one plotline that I don’t necessarily have to have a lot of answers dolled out, so long as there is some good character work.   And please, don’t let it all head into some kind of robotic uprising.  Not really interested in that.  But questions about the nature of what makes us human…yeah, I think that could be good.

I’ll be interested to see where episode two takes us.   I know last summer that Under the Dome took a huge downward turn after the first installment had me intrigued.  I’m hoping this one won’t follow that trend.

The Strain: Night Zero

Did you really think Guillermo Del Toro was going to go for subtle vampires?

I read the original novel of The Strain trilogy a couple of years ago and I’ll admit I’ve forgotten large chunks of it.  At least, that is, until I started watching.  It quickly came back to me about the plane and the passengers all dying of some mysterious ailment.  I also recalled there was something in the storage hold that was trying to get out and that there is some kind of conspiracy to get it into New York.    But I don’t recall much of the book beyond a sense of deja vu as things unfolded on-screen.  This could be good or it could be bad.  Either the book was so largely forgettable that there’s a reason I don’t recall everything or I could be in for an interesting ride as I follow how things unfold.

I will admit that it made me curious enough to want to check out the books again so I can go all book snob if the series deviates from them.

For now, I like what’s being set up and even if it’s a bit gruesome (OK, a lot gruesome), it’s got my interest for at least two or three episodes.  Or at least until bigger parts of the book come back to me.

Doctor Who: The Leisure Hive

200_sWhen I first started watching Doctor Who, there wasn’t quite the wealth of information about the series at my fingertips that is available to fans today.    Back in my day, I had only the occasional issue of Doctor Who Magazine and my (even then outdated) copy of the Doctor Who Programme Guide as my guides.

And even though I’d seen stories from the Peter Davison era and new that a change was coming to the title sequence for the show, I never expected it to happen during Tom Baker’s final season as the Doctor.

So it was that one Sunday morning, I rewound my VHS recording of “The Leisure Hive” from San Jose’s KTEH Saturday Night Late Night Doctor Who feature and sat down to watch it, fully expecting the famous time corridor credits sequence that was (and is) my favorite title sequence and version of the famous theme.    It was, therefore, a bit of a stunning moment to hear and see the starfield opening burst onto my television screen, announcing not only a new season but a new era of Doctor Who.

I’ll admit I rewound and watched the title sequence a time or two before I got down to the business of viewing “The Leisure Hive.” *


Doctor Who: Big Finish Round-Up “The Fourth Doctor and Leela Adventures”

Doctor Who: The Crooked Man (Big Finish Fourth Doctor Adventures 3.03)The Crooked Man

Given that The Crooked Man is from the pen of John Dorney, it shouldn’t be a surprise that I enjoyed it as much as I did. And that’s despite having an reveal in the last five or so minutes that I guessed long before the Doctor and company deduced it (or at least that they confirmed it in the course of the story).

The Doctor and Leela arrive in a sea-side town for a holiday but discover that a macabre series of murders is taking place. Investigating further, they soon discover there’s a link between these murders and a local family — the sinister and creepy Crooked Man of the title.

The idea of world of fiction having the ability to crossover into reality is nothing new for Doctor Who (see the Troughton era serial “The Mind Robber”) so it’s a huge credit to Dorney’s script that it manages to feel interesting when done here. And while there’s a twist in the last five or so minutes of the script that’s telegraphed fairly early on by the story, it’s still one that is entirely earned by the story. (more…)